Alas, Megatokyo

I love webcomics. They're practically the reason I get out of bed in the morning. I've never really gotten into comic books (aside from some Star Trek comics years ago) and newspaper "funnies" are not a big part of my existance, but web comics bring me such joy. Penny Arcade, PvP, Real Life, the hillariously awesome Questionable Content, Queen of Wands, Todd and Penguin, Mac Hall, Diesel Sweeties, Perry Bible Fellowship, Wigu/Overcompensating, and others make it clear to me that we have witnessed the birth of something special here.

A few years ago, Megatokyo would have been on that list. Megatokyo, after Penny Arcade, was one of the first webcomics I really got into. PA, demonstrated the potential of the medium. Megatokyo introduced the potential for plot. Back then, I loved it. It was constantly funny, basking in gamer and anime culture while simultaenously mocking both of them. The first two years were brilliant. And then, as they say, everything changed.

Honestly, the last time I enjoyed a Megatokyo strip was October 24th, 2004. I know because I blogged about it. That's kinda sad. Not only has it sucked since then, but the reason I blogged about it is because for one brief, shining moment, it stopped the streak of sucking that it had been on for such a long time. What a loss. A few years ago, I was a huge MT fan. I still have, and often sleep under, the MT Sad Kimiko blanket.

It's pretty clear that this descent from greatness started with the departure of Rodney "Largo" Caston (which, like all things is detailed at Wikipedia). In the beginning, MT was funny, it moved fast (they got drunk and mistakenly get stuck in Tokyo in the space of what, two, three strips?), and it had an energy and a vibrance to it. Then Caston left. Today, the strip is a shell of what it was in 2002. Basically, in the 2.5 to 3 years since that time, nothing has happened plot wise in the strip. It's become this long meandering narrative that goes nowhere. Whoop-de-do Kimiko's finally on the radio. Didn't Piro show a sketch of that somewhere like, years ago? Something (I'm not sure what) finally happened with Largo and Erika. This took years.

Let me put this into perspective: Babylon 5, which has an immensly complicated plot, took five years. Megatokyo has been around five years. If B5 moved at the speed that MT did, the pilot episode would still be going. How do you go five years with so little plot development!?!?!? Truly, this astounds me. How far has Piro and Kimiko's relationship come since she spilled coffee on him in October, 2000. Almost nothing. A date perhaps? Nah. Some sort of relationship? Nah. We finally found out that Miho had met Piro and Largo in a game online, and was cheating or something. Come to think of it, that's all we know about her. That, and she has some illness. We've basically learned nothing. The whole point of a mysterious character is to remove the mystery. Back when Yuki had Piro's sketchbook, that was cool...She was the only character in the strip, besides Seraphim, that could really see into Piro's head. Now, all we get of her is Piro constantly missing his drawing lesson with her. Seriously how much longer can that stupid plot go on for? Honestly, glaciers move faster than this.

This didn't happen overnight. After Caston left, there was still Great Teacher Largo. There were still the hillarious catoons with Makoto, the server, being kidnapped. The whole disaster squad thing was funny. Ed and Dom were funny. Ping and her various oddities was great. But slowly, all of that faded away. I think Piro, working on his own, lost the point of his own strip. He's caught between the all-consuming urge to have this relationship angle take over the strip, while at the same time he keeps the characters set in ice, never changing or evolving. That does not work in a plot. The author has to let go and let the characters evolve, else things become boring and tedious, as MT has.

Monday's Penny Arcade demonstrates what it would be like if Tycho banished Gabe and turned PA into his own creation. The results are pretty horrendous. What you see there is the author's personality, ever nuance of his subconcious amplified to Disaster Area proportions, and that's why it's funny. I don't know if this was supposed to be a commentary on Megatokyo, but it perfectly explains what Megatokyo has become: A Fred Gallagher ego trip. The heart and soul of that comic are gone. It's no longer remotely interesting. The dialog has become totally incomprhensable. The plot seems totally lost.

The magic is gone.